Here’s a fun change of pace: today, I’m interviewing fellow designer Laura Patterson of Fiber Dreams. You can find her at her website and on Ravelry.
(There is Laura’s lovely, smiling face!)
This post is part of the Indie Design Gift-a-long blog series. The GAL is going on through the end of December on Ravelry. There are hundreds of participating knit and crochet patterns by many of your favorite indie designers, all perfect for gift knitting. There are games and tons of prizes as well. Come join the fun!
It looks like you and I have both been knitting for many decades. The knitting world has changed so much in the last 15 years or so—what are the most exciting developments for you?
The easy access of knitting-related information is astounding these days. I remember getting a pattern pre-Y2K, and it using an abbreviation that I hadn’t seen before, one that the designer didn’t include in her meager abbreviations list. It took many hours of looking in a huge assortment of knitting books before I was able to track down the meaning: sm = slip marker. Oh! Then “rm” must mean remove marker. Oh. I get it. These days it’s super easy to find answers to almost any knitting question online in just moments. What a time saver!
For many years I didn’t know anyone else who knit. I had to figure out everything myself. At times, I felt like the only knitter left in the world. I worked a lot of overtime back then, knew only a handful of people in town, and the people in the knitting stores I went into were less than welcoming. When I first got online there were just four, yes four, knitting related websites. Can you imagine? The online communities that have grown and evolved from that have served to bring knitters everywhere closer together. I no longer feel so isolated, alone in my passion for playing with my two sticks and a piece string.
What kind of knitters do you picture in your head when you’re designing your patterns?
I design for knitters who want something to keep their interest while knitting, and that provides something that is enjoyable to wear when done … something that can add a bit of interest, charm, or femininity to whatever else they are wearing. I love thinking of women tossing on a beautiful lace scarf with their business suit, wearing a lacy little cardigan with their jeans and T-shirt, or tossing a delicate lace shawl over their shoulders when going out for an evening out with friends.
How would you describe the style of your patterns?
I definitely don’t design for beginners, though at the same time I do try to include information to make the knitting as easy as possible. I add little notes about using markers, shaping, whatever, whenever I think a knitting tip would be helpful, and there’s room for it in the pattern.
For patterns with charts, which is most of them, there is a key on every page where a chart appears that includes the symbols used in the chart(s) on that page. Several years ago I began making my charts with Illustrator, and so the squares in all of the charts in all the patterns I’ve released since then are all the same size. I never re-size a chart to fit a page by shrinking it. I can’t speak for anyone else, but neither I nor my eyes are getting any younger, and I have a very hard time these days reading charts that have been shrunk up to nothing so the whole thing will fit on one page. I realize that some people will still need to have my charts enlarged, but I do try to minimize that.
Which patterns did you enter into the gift-a-long (GAL), and have you been surprised by which designs have gotten the most attention?
I only entered nine patterns in the GAL: Lalique, Raspberries, Birdsfoot Fern, Cirrhosa, Lazy River, Clarine, Clematis, Domus Aurea, and Ione. (All are pictured below—click on the image for links to the individual patterns.)
So far I’ve only seen two projects using any of my patterns in the GAL: one Cirrhosa and one Birdsfoot Fern. This surprises me. I would have thought that more people would have at least started one of my other GAL designs by now. Most of them knit up relatively quickly, especially Ione and Lazy River. Birdsfoot Fern and Cirrhosa are also quicker to knit than one might think. With both of those designs, the lace is knit before the garter stitch shaping section is worked, and the lace rows are quite short: a maximum width of 31 stitches in Cirrhosa and 35 stitches in Birdsfoot Fern. This helps to make the lace portion easier to manage, faster to knit. Once established, the shaping is pretty mindless on both patterns, and so though the rows grow long, it’s all just knitting, so it gets done in no time.
Any particular design(s) that you’ve got in the GAL that you’d like to say more about?
Lalique continues to surprise me. Not only is the sweater all-over lace, but it requires a number of harder techniques: provisional cast on, applied border, grafting, adding beads….
Even relatively new knitters have successfully knit the pattern—a fact that both surprises and delights me. Lalique was released almost three years ago, and has done quite well the entire time, and it was my top seller for the GAL sale in early November.